The woman in this photo is twirling an ‘umbrella’ of fire. The music that accompanied this piece was Adele’s “Set Fire to the Rain”.
The woman in this photo is twirling an ‘umbrella’ of fire. The music that accompanied this piece was Adele’s “Set Fire to the Rain”.
I saw an incredible fire show while on holiday in Vanuatu last week. This group of young people mesmerised us all with their dexterity and bravado. They performed just a few feet from the restaurant tables at my resort (Eratap Beach Resort).
“Set Fire to the Rain” by Adele was the music for one of the pieces in the show (the photo above where the woman is twirling an umbrella of fire).
(note: Here we are, 4.5 years later, and I’m linking this post to A Photo a Week Challenge: Fire. The post may be old but it fits the theme so well.)
This photograph is my entry for week 4 of the One Four Challenge. The premise behind this intriguing new challenge, hosted by Robyn, is to process the same photo four different ways.
In the words of Monty Python, “And now for something completely different!” I call this one the Purple X-ray, and I know it won’t be to everyone’s taste. This look is the result of adjustment layer on top of adjustment layer in Photoshop: invert (swap light and dark); channel mixer and hue/saturation (to adjust amount of r, g, b to get the purple and grey look); shadows and highlights to get the strong white background to the trees; vibrance; levels to darken the pot, cushions and reflection.
I like how the leaves in the trees have an almost painted quality. The spiky plant looks to me like flames shooting upwards.
Here are all four processing variations, plus the original:
One Four Challenge – poolside
Got a favourite? Let me know!
Bonus
I had two other processes that, in the end, I decided not to include officially. It was a real toss-up for week 4 between the Purple X-ray and the Solarized version. The Andy Warhol take was just a bit of fun!
This photograph is my entry for week 3 of the One Four Challenge. The premise behind this intriguing new challenge, hosted by Robyn, is to process the same photo four different ways.
This time, I’ve gone for the ‘distressed old snapshot’ look. To achieve this, I applied a number of adjustment layers to the jpg in Photoshop: levels, black and white, colour balance, a gradient fill. Then I added some dust and scratches on top to give it that authentic “laying in a drawer for 20 years” look.
This photograph is my entry for week 2 of the One Four Challenge. The premise behind this intriguing new challenge, hosted by Robyn, is to process the same photo four different ways.
I’ve gone for something completely different this week — from harsh and monochromatic in week 1, to soft and dreamy now. Some people commented that my first edit reminded them of images in interior design magazines; to me, this one is right out of a wedding magazine (without bride!).
To get this look, I knocked clarity way down; bumped up vibrance, exposure, highlights and whites; increased noise reduction; decreased luminance in greens and aquas; added blue to shadows and highlights.
Like a snake sloughing its skin, the gum tree in front of my balcony sheds its bark in spring. Never before having lived 10 feet from a gum tree, let alone one that towers above even the six stories of my apartment building, I am fascinated when this tree’s smooth bark begins to wrinkle and crack. After a few weeks, the fresh new bark appears.
This photograph is my entry for week 1 of the One Four Challenge. The premise behind this intriguing new challenge, hosted by Robyn, is to process the same photo four different ways.
Robyn asks that we talk about the photo, so … the original (click the thumbnail below to view it larger) was taken 2014-09-19 at The Byron at Byron Bay, which is a resort I stayed at. You can see a few other photos from that resort here.
I do all my photo processing in Photoshop CC. To get the look for this edit, I processed the RAW file with the following settings:
Eighteen metres (59 feet) below the ground in Reims, France, lie the caves of Taittinger, one of the finest producers of champagne. To make the descent to the caves, you must negotiate this spiral staircase.
The Taittinger caves occupy some of the vaults of the ancient Saint Nicaise Abbey. These stairs are in the old abbey vaults.
In World War I, the caves were used as places of refuge for civilians and Allied soldiers. If you look closely, you can make out the year 1914 in this graffiti carved into the wall.
A pupitre with bottles is visible at the foot of these stairs. The bottles of champagne are placed in the pupitre and rotated so that the sediment collects in the necks.
And this is what it’s all about… (The first four photos were taken in the caves of Taittinger in May 2005 on a poor quality print camera, and later scanned to digital. The final photo was taken in October 2014: the champagne in the glass is not Taittinger, but the backdrop is a bag from Taittinger; it appeared recently in this post.)