I wonder how long this poor abandoned ball lay here? It looks quite sad to me, as if yearning to escape from behind that mesh and bounce along the path.
I’m not sure that it is easy being green, but it was easy to drink this Mojito from the Pavilion Pool and bar on Queen Mary 2. Some people will be surprised to learn that I don’t live on champagne alone!
I don’t honestly know if only nuns are buried in this graveyard, or indeed if any nuns lie here. The cemetery is in the grounds of what is now Kincoppal-Rose Bay, School of the Sacred Heart. The striking Gothic-looking pile rears up beside the harbour, looking as if it would be more at home in England than in Sydney. The original building in the complex was a private home called Claremont, built in 1851. “Kincoppal traces its origins to the establishment of two schools. The first, the Convent of the Sacred Heart, Rose Bay, was founded in 1882. The other, named Kincoppal, was established at Elizabeth Bay in 1909. In 1971 these two schools were amalgamated on the Convent of the Sacred Heart campus and became known as Kincoppal-Rose Bay, School of the Sacred Heart.” (source)
Why sit in a stuffy theatre to watch a Shakespeare play on stage when you can sprawl on a picnic blanket with wine and nibbles, watching the play unfold around you while the waves wash against the beach? These photos are from a production of The Merry Wives of Windsor at Balmoral Beach in Sydney.
The audience starts to set up blankets in the early evening.
It’s a small theatre company, so the actors also sell programs and other merchandise, and collect donations at the end.
Ah, but the play’s the thing! (I know, that’s from Hamlet, not The Merry Wives of Windsor, but it fits.)
What’s a play without an audience?
Even the moon got in on the act.
I know what you’re thinking. This series is called “The view from the window”, so why did I caption this photo “The balcony beckons”? Well, outside the window was a lovely wide planted terrace, and it was no more than the work of a moment to lift a chair out that window and climb out after it myself, there to sit in comfort with a glass of wine and admire the view.
My cruise on QM2 began on Saturday 25 February, but I kicked off the holiday early and spent the night of the 24th in the Sir Stamford Hotel at Circular Quay. I knew from experience that rooms on the west side offered a view of the Overseas Passenger Terminal. I liked the idea of waking up and, voila!, the ship would be there. However, I woke up at 5:30am (an ungodly hour), and peeked out the balcony door: nothing. Of course, I couldn’t go back to sleep, so every 15 minutes I peeked out again, until at about 6:15am I saw it turning past the opera house to come in stern first. So I put on my white Sir Stamford robe and my shoes, and stood on my Juliet balcony in the grey pre-dawn drizzle to capture the arrival. The feature image is the OPT before QM2 eased into view.
The Five Minute challenge suggests: “Choose a scene or an object and keep fixed on that object, and shoot for just five minutes. You can move around the object or scene but try not to interfere with it. See what happens in that five minutes, what changes, how the light changes, what comes into the frame or leaves the frame, or what other parts of the object you can focus on or use to your advantage.”
In this five-minute sequence (6:36am to 6:41am), the focus is on “what comes into the frame”. In addition to the rear end of the largest ocean liner in the world, you’ll also see a tug boat and various vehicles whizzing past in streaks of light.