06:22 (eek!) Saturday 20 June, Sydney
I love photos like this: sharp object in foreground, blurred background. If you regularly view my blog posts, you’ll have noticed a few of them (and thank you for your visits!). But I freely admit I can’t be bothered to figure out the technicalities of taking them. I use a combination of zoom and focus area size to compose my shots. I set the ISO, colour balance, f stop and shutter speed manually, but don’t think about what’s happening beyond that. All of these photos were shot at 1/400 sec, F2.8, ISO 100.
But Jude’s assignment this week got me looking more closely at this selection of photos, and I did notice that the focal length corresponds to the amount of blur. “Lens focal length tells us the angle of view—how much of the scene will be captured—and the magnification—how large individual elements will be. The longer the focal length, the narrower the angle of view and the higher the magnification. The shorter the focal length, the wider the angle of view and the lower the magnification.” (source)
So I’ve presented these photos in order of longest to shortest focal length. The photo above and this one below have the same long focal length (most shallow depth of field) and extreme blurring of background.
The photos were all taken at Hamilton Island last July. Despite large signs stuck to the balcony doors saying “do not feed the cockatoos!!” the people beside me did just that.
This last photo has the shortest focal length (longest depth of field), and while the trees on the hill are certainly not in focus, they are much less blurred than in photos with longer focal lengths. The balconies are definitely much sharper.
This little spider has been busy! I haven’t noticed any activity (the duranta tree is on my balcony), but this morning, with the early sun at the right angle, I clearly saw her/his handiwork. The spider itself is tiny (you can see it right in the centre, glowing in the sunshine), and by the same token the web is not as large as a dinner plate. What I love about this shot is how clear the web pattern is. You can easily imagine this little creature patiently crawling one way, turning, crawling another, turning … That’s a lot of effort to catch your dinner.
What I don’t understand is how spiders set those anchoring strands. Do they just shoot out some silk and hope it latches on to something?
The experiment of growing tomatoes in a Sydney winter using seeds scraped from a store-bought tomato continues. On 23 May I ruthlessly discarded all but the sturdiest 8 seedlings and put the winners into four small pots.
Above on 23 May, after repotting. Below on 6 June, after two weeks of growing.
Despite the less than ideal conditions, they are growing. Daytime highs now are 15-20C (59-68F) and they get only about five hours of morning sun — and that’s with me moving them four times to try to avoid shade as the low winter sun passes behind trees. Of course, many days are overcast and wet. Not what you’d call optimal!
Yesterday I ventured to a garden centre for soil and stakes, being very optimistic that the plants will grow high enough to need staking! Some of you may be wondering why I bought “seed raising and cutting” mix. The answer is that I don’t have a car. Not following that logic? I had to buy soil in a bag small enough to fit into my backpack and of a weight I could carry. All that was available in this bag size was mixes for seedlings, cacti or orchids; this seemed the least-bad choice. I do have about the same amount of regular potting mix so when the times comes I’ll combine the two.
Tune in later for Tomato Diary 3. (Tomato Dairy 1 here)
Two photos of the Orangery, Kew Gardens, London. (The statue was no longer there in 2018; it had been against the end wall.)
This selection of photos features light streaming through a window into a room. Although these photos have very different subjects, they are all lit by windows — dramatically, softly, harshly, boldly. In some, you can see the shadows of the window frames or of the glass itself.
Two from Fiji below. On the left, the window is not visible but its bright light is falling on the boy. On the right, the diffuse light from the window highlights the flat surfaces of the wooden pews.
Two from Kerala, India. Men were making lime by burning sea shells.
This one shows the splashes of colour from light falling through a stained glass window.
Many lines in this photo — the corrugated ceiling, the wooden floor, the supporting beams, and the multi-paned window that casts its slanting shadows.
The bright light brings out the colours of this woven bag and throws shadows from the edges of the glass louvres.
No true windows in the photo below, more like openings in the stone walls. An interesting lighting effect, though!
Posted for Jude’s 2020 Challenge (Light: Experiment in different weather conditions such as mist or rain, OR take a photograph indoors such as a still life or light entering a room streaming through a window OR experiment in capturing the colour of light.)